Oscar
O'Flahertie Fingal Wills Wilde, born in Dublin, Ireland on October
16, 1854, was the second son of Sir William and Lady Jane Wilde.
Sir William was a renowned surgeon who found himself embroiled
in a sensational scandal in 1864 when Mary Travers, a former patient,
informed a local newspaper that she had been chloroformed and
raped. Lady Jane was a poet who stood six feet tall and claimed
to be "above respectability." She loved to make a sensation
and passed this passion on to her youngest son.
In
1878, Oscar Wilde moved to London with a degree from Oxford and
a burning desire to achieve stardom. He had been taught by his
mother to view life as a performance, and he made a spectacle
of everything, sometimes hailing a cab just to cross the street.
He once wrote, "I awoke the imagination of my century so
that it created myth and legend around me." His wardrobe
was designed not by tailors, but by theatre costumiers who Wilde
felt would more easily understand the dramatic effects he was
trying to achieve. His standard costume included a velvet coat
edged with braid, knee breeches, black silk stockings, a soft
loose shirt with wide low turned-down collar, and a large flowing
pale green tie. He topped the costume off with sunflowers and
lillies in his buttonhole, a garish touch which became almost
a signature for the outrageous public figure Wilde was so shrewdly
constructing. Within two years, he had made quite a name for himself,
but his first play, Vera or The Nihilists, was not well received.
Nor was his first volume of poetry.
Wilde
decided briefly to adopt a life of Victorian respectability. In
1884, he married Constance Lloyd and fathered two sons, Cyril
(1885) and Vyvyan (1886). He even became editor of Women's World,
a very reputable publication. But respectability was a terrible
burden for Wilde, and by 1886 he was sneaking off to Oxford to
visit young men. Shortly thereafter, he separated from his wife--claiming
that he'd been away from home for so long that he'd forgotten
the house number--and cut off ties with most of his family and
intellectual peers. He submerged himself in a disorienting sea
of liquor and young men and set out with his writing to "disturb
the monotony of type, slavery of custom, tyranny of habit and
reduction of man to the level of machine." Ironically, it
was during this devil-may-care period (1888-1895) that most of
Wilde's important works were written.
The
last of Wilde's plays to be written, The Importance of Being Earnest
(1895), is considered by many to be the finest modern farce in
the English language. Unfortunately, by the time of it's premiere
on February 14, 1895, Wilde's demise had already been set in motion.
For months, the Marquess of Queensbury had been demanding that
Wilde stay away from his son, Lord Alfred Douglas. Wilde, however,
was quite infatuated with the young man and ignored the Marquess'
urgings. Furious, Queensbury intended to publicly denounce Wilde
at the opening of The Importance of Being Earnest, but he was
refused a ticket. Two weeks later, he confronted Wilde at his
club, leaving his infamously mispelled note accusing Wilde of
"posing as a Somdomite." Wilde decided to charge Queensbury
with libel, but revelations during the trial about the nature
of Wilde's relationship with Queensbury's son caused the playwright
to be prosecuted for offences to minors. He was tried twice. The
first trial ended with a hung jury, the second with a guilty verdict.
By May of 1895, Wilde was in jail serving two years hard labor.
Wilde
made a few half-hearted attempts at literary activity after his
imprisonment, but he concluded in the end that such endeavors
were for "the other self--the man I once was." He was
never the same after his release from prison in 1897. The once
flamboyant public figure shyed away from his former audience,
choosing to live the remainder of his life under the alias of
Sebastian Melmoth. In 1900, Oscar Wilde died penniless and alone
in a Paris hotel. He was buried without much ceremony in the cemetery
of Père Lachaise. His other plays include Lady Windermere's
Fan (1892), Salomé (1893), A Woman of No Importance (1893),
and An Ideal Husband (1895).